
In this super special anniversary episode of Scene N Nerd, your favorite dynamic duo Sarah Belmont and Will Polk are celebrating eight awesome years of podcasting! They kick things off with a trip down memory lane, reflecting on how far they've come...
In this super special anniversary episode of Scene N Nerd, your favorite dynamic duo Sarah Belmont and Will Polk are celebrating eight awesome years of podcasting! They kick things off with a trip down memory lane, reflecting on how far they've come since launching back in January 2017. It's all about growth and the evolution of their fun discussions! (0:00)
Sarah shares her thoughts on binge-watching the first season of "Landman," and she can't help but draw some cool parallels to the classic "Friday Night Lights." Will jumps in with some behind-the-scenes insights into the show and its creator, Taylor Sheridan. (1:40)
Next up, they dive into the buzz around the much-anticipated "Superman" trailer that’s set to debut during the Puppy Bowl, along with all the excitement surrounding the upcoming "Fantastic Four" reveal. They chat about the outrage culture that seems to swirl around film trailers these days and how important it is to manage our expectations in this wild world of social media. (7:58)
They quickly go back to reflect on the last eight years of podcasting and being true to themselves and to the audience. (11:40)
To wrap things up, Sarah and Will take a deep dive into the new series "Paradise," breaking down the pilot and second episode. They analyze the character dynamics, highlight some standout performances, and talk about the clever use of flashbacks that make the storytelling pop. Plus, they ponder the intriguing mysteries surrounding the characters and what it all means for the narrative. (14:55)
We’d love for you to join in on the conversation! Follow us on X @SceneNNerd, on Bluesky @SceneNNerd.bsky.social, friend us on Facebook, and check us out on Instagram and Threads @scene_n_nerd. Don’t forget to visit our website at www.scenennerdpodcast.com. And hey, if you enjoy the show, please rate, follow, and drop a comment on Apple Podcasts, Spotify, YouTube, or wherever you tune in!
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>> Sarah : Greetings, nerds. This is Scene N Nerd. I'm your host, Sarah Belmont, and with
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me, as always, is our Mr. Producer, Will Polk How are you in tonight.
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Will.
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>> Will: Doing very well, Sarah. Happy Thursday night.
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>> Sarah : Happy Thursday. And happy 8th
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anniversary to us.
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>> Will: Yes, yes.
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>> Sarah : As we published our first podcast
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in late January 2017.
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>> Will: Yes, we, yes, we did. Yes, we did. Here we are
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eight years later. We. I think, I think
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I sent you a message last night about it and,
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you sent a message, message back to me that,
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we've, we've gone through, high school and college, so I guess now we're
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starting grad school.
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>> Sarah : Yeah, yeah, grad school.
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What? Law school, whatever.
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Like, we're going the distance on this thing. I, I, I'm
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looking forward to the ten year.
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>> Will: Yeah, yeah, me too. Me too.
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>> Sarah : the, the decade that that will
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be that has gone through many transitions. I was
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also thinking how it's funny we're moving to, we've moved to
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Thursday night. I feel like there are
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long periods of time where we're on one night and
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then because of content, like, eventually we'll get back to
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Tuesday sooner than we did last
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year because, April is on the
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horizon. but, oh,
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I, So
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before we get into paradise and some of like
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the one news item you have,
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I have to tell you, over the weekend, I did a, I did
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a binge. I did a binge watch
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because I finally did it. I finally
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committed to watching the first season of
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Landman.
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>> Will: Oh, yeah, that's, it's on my list of things I want to
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check out.
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>> Sarah : So I basically had it on my TV
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from about 11am
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M. To about 6, 7am and I think,
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or 7pm and then I think I had to finish
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the last episode or watch the
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full last episode, the next night.
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And I was.
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It's an artsy show, so there's a lot
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of, there's a lot of time
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where I would, I was able to do
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stuff while watching it.
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>> Will: Yeah. Yeah.
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>> Sarah : It's also not that complicated of a show.
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Yeah, it's not bad. I understand why people
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like it, especially if they like Yellowstone. I mean,
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it's the same showrunner, same writer.
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Yeah, Sheridan.
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>> Will: Yeah. Yeah.
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>> Sarah : but what was really funny, and I kid you
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not, because I was talking to my parents about this
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show over the weekend because they're the ones who were really
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like, sir, you got to watch Lame Man. You got it. You got. When
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are you going to watch Lame Man? For months. And then I
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finally did because I finally got Paramount plus for
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my Own purposes.
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And in watching it, I thought to myself,
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I need to look this up because
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this score reminds me so
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much of this Is Us.
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Need to see if the composer is the same. It's
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not. I was sitting there
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and I did not look this up, but
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I am 99% sure the
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score of the same composer composed
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score of Paradise. Same guys, this is Us. Because
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there are themes that I just like.
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Okay, that's very eerily similar,
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but so. So, so
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that apparently my mom was telling me my
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dad said the same thing
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and he wasn't even in. Like he. He
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wasn't like a super fan of this Is Us. Okay.
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He saw it on TV every once in a while while my mom
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was watching it, but he did that. And
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then I was telling her about how.
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And then I had to figure out if
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Sheridan is also behind Friday Night Lights
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because I don't know what it is. Both shows take
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places in Texas,
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but there's something about the cinematography, there's something
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about the writing that gave me so money.
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Friday Night Lights vibes. And I. And I looked it
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up and I didn't really see anything, but I.
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I guess my mom heard in an interview
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he was a part of their writer's room.
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He did have something to do with the show. But, which,
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which makes sense. It makes more sense to me
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that he would, like, that would be a
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starting point in his career at like a low level
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position. And he worked his way up and. But
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there's still, still. You learn from your mentors and everything,
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but you can definitely see
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how that whatever role he
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had there helped shape him
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for storytelling because there was just something
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about the way it was shot. And I've never been to
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Texas, but between this show
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and Friday Night Lights, I
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feel as though arguably they do a
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good job about
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really showing
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you how big of a state is the state
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is. And also how there's a lot of nothing.
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There's, it's a lot of desert. And also the. And I
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think that's also pertaining to the
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places where. I mean, we're talking about the
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oil fields.
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>> Will: Yeah, yeah.
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>> Sarah : Talking about like places where. Yeah, it's
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not. It's not the big cities that we're focused
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on. so. And I think Billy Bob
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did a good job. But I,
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like I said, I wasn't blown away by
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anything. It was a very straightforward thing.
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Things happen within the first three episode
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that was like, okay, I'll figure out. I
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want to see at least how this whole season
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ends. but.
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And, and overall, if, if you're like
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me and grew up watching Friday
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Night Lights and kind of miss it every now and
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then. I feel like this is a good substitute for that.
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It's, it's very similar
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but different at the same time.
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>> Will: Well, I know. I'm just looking at his, his bio right
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now. He was not a part of
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Friday, Night Lights, but, whenever he was an actor,
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he did have some acting roles as far as Walker, Texas
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Ranger, and, and then as far, you
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know, also as far as,
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you know, TV at this. I guess there's Law. Oh,
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yeah. Land Man, Lioness Football. These are more recent
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shows. But,
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>> Sarah : Yeah, yeah, he's a big runner now.
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>> Will: Yeah, yeah. but also Mayor Kingstown. I
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don't know if he did that one as well.
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>> Sarah : Yeah, I was, I, I. And it's funny
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because I've watched maybe the first few episodes of
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Mayor of Kingstown and it did not. I, I was
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like, no, it's not. He seems
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to have a deal with Paramount plus.
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>> Will: Yeah, yeah, he definitely does all, all those big
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shows. Yeah. Yeah. And speaking of which, I guess he even had an
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acting role. just. There is a tie into Star
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Trek. I guess he was on Star Trek Enterprise whenever, Whenever. He
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was still acting. And, speaking
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of Paramount plus, I, I was also on that service, that platform
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just this past weekend watching the,
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Star, Trek section 31 film. And I did
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a, I did a live review about it, so
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I won't spend too much time on it here. But,
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yeah, you know, it happened and I'll just leave it, I'll just leave it at
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that.
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>> Sarah : Yeah. I think you sent out some tweets and you're like,
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okay, that happened. That, that happen.
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>> Will: Yeah.
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>> Sarah : What, what is, expected to happen during
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the Puppy bowl this year is the
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Superman trailer will be dropped.
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and, I'm. All I can say
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is I feel like I've seen the trailer.
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>> Will: Yeah. Yeah, it's, it's so funny how, like,
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with this, with this film, I mean, how the, I mean,
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I don't know if people are just. The outrage machine
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is just like, you know, the algorithm just drives it these
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days. Because I was watching a football game Sunday
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and, you know, I, I missed the, like, little
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32nd spot that they had, where he's doing the
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barrel roll. but I just started
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seeing everything, like, you know, trying to, you know, just happen to jump on Twitter
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while I was watching the, the championship games,
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and everybody was just all pissed. Oh, like,
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up in arms over, like, whether or not He.
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If his face was CGI'd or not.
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>> Sarah : Guys, calm down.
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>> Will: Yes.
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>> Sarah : we live in a century where you see CGI
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in some of the most bizarre places.
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>> Will: Yes.
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>> Sarah : But.
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>> Will: Yeah, yeah, yeah.
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>> Sarah : I just. But who cares? And
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also, post production is not done.
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>> Will: Exactly. And also. And
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again, maybe James Glendis needs to get off social media, just pull
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a Kevin Feige and just don't react to
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the algorithm outrage machine,
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because you can't win.
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>> Sarah : Huh? is he reacting?
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>> Will: Oh, yeah, yeah. I know you're not. I know you're not on Threads, but
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he. Yeah, he went to Threads and, you know, basically was
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like, look, the shot was just, you know, there's no
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cgi. It was just. I think he had the camera
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lens that he used just basically made,
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you know, of course, wet face look that
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way. And. And. And. And also.
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>> Sarah : Yeah, yeah, look that way, man.
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>> Will: Yeah, but I mean, just. But the fundamental point is
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just like, dude. Really? But, yeah, yeah. But anyway. Yeah,
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I just. It was kind of. I mean, there's, like, stuff going on,
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but I know we had talked about,
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wondering if the full, trailer was going to
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drop on super, Bowl Sunday. And. And it
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will, but, you know, the. The little
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spot that says, go check it out online
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will, be on the, Puppy bowl, which, you know,
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obviously, with tie in with crypto and everything makes. Makes total
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sense.
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>> Sarah : I think there's more speculation, though, not
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about Superman, because we already got the teaser. Okay. We
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already got teaser. So that's why people are being critical,
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because I think the more expectation is when we're going to get first look
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at Fantastic Four.
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>> Will: Oh, yeah, we'll get.
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>> Sarah : We'll get.
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>> Will: We're getting. Yeah, we're getting next weekend.
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>> Sarah : Yeah, yeah, yeah. So it's.
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I. I just. I know I'm not
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aware about all this, but, if he's responding to
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people, then it's like, yeah, dude, you're. You
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realize the job you signed up for because,
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like, this is only the start. Wait until
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you're. What. How many. How many M. Movies has
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Feige done?
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>> Will: Yeah, the 40s now.
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>> Sarah : Like. Like, just brace yourself for impact,
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man. Like Snyder did. How many?
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Five? Like, no,
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we are. We are. As viewers and as
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audiences, we are. We're
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spoiled, and we are spoiled rotten.
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And we're just. And. And we're
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unfortunately very loud about it.
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>> Will: Yes, we are.
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>> Sarah : So buckle up.
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>> Will: Buckle up for sure. Buckle up for sure. Yeah, speaking.
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Yeah, I, just happen to think about that as, you know, as I reflect
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on how we've. How even we've
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evolved and changed over time as far as how we approached a
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lot of these stories and stuff. As, you know, as we've, you know,
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we. We tried to not
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always, like, fall into the outrage machine. And even to
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the point where I know we're, you know, sometimes it's like, you know, you don't even watch some
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of the trailers at this point because you're still worried about, learning too
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much. But, it. It is funny, you know, I think, how
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as we started, you know, we started with the Arrowverse,
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and, and, now we've, you know, moved on to other things and,
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you know, expanded our horizons. But, for
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as far as they also.
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>> Sarah : They also shut down.
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>> Will: Yeah, well, no, no, but even before to shut down, even
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before to shut down,
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we're like, oh, yeah, we'll see where this is going. Let's.
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>> Sarah : We were like, Okay, so. So eventually
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this will end. And eventually
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either it'll end or we're like, how
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do we make a quick exit?
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I signed up for a trip, but this is
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taking a left turn. And I don't know. I don't know if I
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can. I can watch this all the way through this car
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crash. we did bail out a few seasons there,
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but you can't. You
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gotta. You gotta do what's best for your mental health. And
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people want to talk about things.
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I feel like as podcasters, over the eight years,
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we've learned how we get more
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out of it when we are excited
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to talk about it, whether that. Be excited
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because we can have some really interesting conversations
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about that are critical of, things,
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and then also just excited because, like,
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oh, my God, this is
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amazing. A, B, C, Y.
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But. But people. And I think
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listeners respond well to
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either of those kind of conversations. What I don't
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think either us as, podcasters
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or the listeners is when it's
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too repetitious, when it's like they.
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They've checked out, that makes listeners check out.
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And like, I.
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I just. I. And I don't want to do that to our
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listeners. So even though I will
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repeat things.
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>> Will: So I. But. But you're right. I mean, but if we're
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checked out, then, you know, the audience can, you know,
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pride ourselves on our authenticity. And.
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And, I think that's whenever we are our
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authentic selves and not trying to be something else or try
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to, like, force content that, you know, doesn't resonate with
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us. Like, you know, then. Then I think
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it's hopefully, you know, we. We definitely
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see that you all Respond as well as far as our listeners
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and, and we definitely respond to each other, better
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when it, and our better podcasters for, for when
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we are genuinely like, interested in stuff. So
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hopefully we appreciate y'all going with this on
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this, Rod, as we, as we continue, for another
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year. And yeah, let's hit that
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10.
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>> Sarah : That, that is the goal right now.
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Right now. So, so at this
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point, I, I want to make it clear to our
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listeners, stop listening if you
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haven't watched Paradise. Yes, yes,
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Stop listening now.
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I kid you not. Please go watch
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the, watch the episode. Watch both episodes and
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come back. Like, I don't, I
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don't, I, you don't. I went into
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this having seen one trailer.
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Okay, that was sufficient.
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Will, did you see two trailers?
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>> Will: I saw two trailers, but it's still just as
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Sarah cannot, emphasize it
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more than what she just said. If you haven't watched the
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episode, especially the pilot, go watch
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it now.
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>> Sarah : Yeah.
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>> Will: And then come back and listen to us.
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>> Sarah : And then come back and listen to us. Okay.
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And that is your warning. because,
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yeah, I, I, I should
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have known, Will.
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I should have known. But here's the funny
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thing because I told you this,
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but I didn't, I didn't tell you this one
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thing. Technically, I heard about the
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pilot of this is Us before I watched it.
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Okay.
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>> Will: So it wasn't me.
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>> Sarah : So this is Us.
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It's been, it's like a eight year
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old show.
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>> Will: Yeah, yeah.
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>> Sarah : So I'm not going to say this is
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spoiler, but at the end of the
347
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so this is Us, the pilot episode
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was groundbreaking, viewer wise. And
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also, and I heard about it because,
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I was listening to like Kristian Harloff, I think he was
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on Collider, and him and Roxy were talking about
352
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it with Josh McCuga. Man, this show is
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old, but, and they were
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saying like, you're watching it and then
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within the last half hour or last, the
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last scene, there's a subtle movement
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of the camera and you realize
358
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that Jack and Rebecca
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are the parents, of
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these characters. So you, you're,
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you've, you've just watched an episode of television
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not realizing you're seeing three different points
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in time.
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>> Will: Yep.
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>> Sarah : So, so like, and it was, and it
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was a very bold statement.
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Why did I not go into this?
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I was sitting there
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and I did
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like early on,
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Xavier is running, going on a jog,
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going through the town. And I did think to myself, I was
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like, man, I've been to
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Hollywood and I've been on set Specific before.
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Why does this town look like such a
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set? Yeah, yeah, I,
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but then it faded. And then it faded. It's
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just there were. I, I have not
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rewatched this episode, but
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I had not.
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I was capturing. They did such a
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good job that they were subtle enough with all of
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the context clues, but not
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overly doing
385
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anything that by the time
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you're figuring it out right when they want you
387
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to like figure out
388
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that, oh,
389
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it's not that we're in present day or anything,
390
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it's also that we are literally in an
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underground city because of
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something that happens.
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>> Will: Yeah.
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>> Sarah : And it's just I, and
395
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I will say, and then we can get some of your
396
00:18:02,622 --> 00:18:04,790
thoughts on, on that big reveal.
397
00:18:04,966 --> 00:18:07,654
But. And the whole episode.
398
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But is that I did in the
399
00:18:10,574 --> 00:18:13,510
back of my mind, all throughout the episode and even
400
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leading up, I'm like, I still don't understand why this show is
401
00:18:16,478 --> 00:18:17,562
called paradise.
402
00:18:19,182 --> 00:18:21,894
Honestly. Why. Why Paradise?
403
00:18:21,958 --> 00:18:24,718
And they were so, so at the point
404
00:18:24,790 --> 00:18:27,566
when Cal mentions like how he's gonna
405
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retire and go to paradise and everything, I
406
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was like, oh, so that's Paradise.
407
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>> Will: Yeah, yeah, yeah,
408
00:18:35,862 --> 00:18:38,718
yeah, yeah, yeah. Oh yeah.
409
00:18:38,750 --> 00:18:41,694
I mean, you know, this, this show because I mean,
410
00:18:41,878 --> 00:18:44,654
and just a couple things from a
411
00:18:44,678 --> 00:18:47,406
production standpoint, then I'll talk about the actual episode
412
00:18:47,454 --> 00:18:50,334
too. you know, with the reveal. So, you know, I
413
00:18:50,358 --> 00:18:53,140
wasn't this is US watcher, but I did watch
414
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the, did watch the pilot and stuff because I think you, I think
415
00:18:56,092 --> 00:18:59,012
you and I met about the time that when we first met, the show
416
00:18:59,052 --> 00:19:02,032
was going on and I remember you talking about it. I remember you.
417
00:19:02,372 --> 00:19:05,298
you know, and so I'll, you know, so. But maybe
418
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I guess around 2019 or so, I probably finally did like
419
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watched a couple of the pilot, the first few episodes and stuff.
420
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So. But you know, but obviously you know, but I'm not
421
00:19:13,338 --> 00:19:16,274
a. As far as Dan Fogelman's work. I mean it's
422
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really, you know, I, I, I, by the
423
00:19:19,278 --> 00:19:22,262
time I did watch it, it, the show was already
424
00:19:22,302 --> 00:19:25,286
in I think it's third or fourth season. So it was too, you know, I
425
00:19:25,294 --> 00:19:27,842
was way behind and there was just no way I could catch up.
426
00:19:28,762 --> 00:19:31,580
but, but you know, but one of the things
427
00:19:31,636 --> 00:19:34,252
that, with this to speaking of the
428
00:19:34,292 --> 00:19:37,164
reveal at the end of paradise and,
429
00:19:37,268 --> 00:19:39,072
and this show generally,
430
00:19:40,662 --> 00:19:43,054
it was very vague as far as the
431
00:19:43,078 --> 00:19:46,062
taglines what, what was, what
432
00:19:46,102 --> 00:19:48,894
was going on here. And, and I think that was one of
433
00:19:48,918 --> 00:19:51,854
the. So you know, from the start,
434
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like you said, with, with when Xavier is jogging
435
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and we're you know, he wakes up that morning,
436
00:20:00,592 --> 00:20:03,416
and the, you know, it's like you said, all the little context
437
00:20:03,464 --> 00:20:06,376
clues as far as, like, you just sort of explore, you know, exploring. Okay.
438
00:20:06,424 --> 00:20:09,292
Realize that, okay, he's a widower. We get that.
439
00:20:11,192 --> 00:20:14,032
>> Sarah : I want to talk about that. But I think
440
00:20:14,072 --> 00:20:16,370
what you're getting at, it's that
441
00:20:18,270 --> 00:20:21,010
they forced focus on things
442
00:20:21,310 --> 00:20:24,118
and kept certain things out of focus.
443
00:20:24,254 --> 00:20:25,142
>> Will: Yeah. Yeah.
444
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>> Sarah : If that makes sense. This pilot
445
00:20:28,038 --> 00:20:30,950
episode is structured very much where going
446
00:20:30,990 --> 00:20:33,894
into it, you're like, okay, his boss
447
00:20:33,942 --> 00:20:36,582
is going to die and they're going to blame him.
448
00:20:36,686 --> 00:20:39,590
Or. Or like there's some kind of conspiracy thing
449
00:20:39,630 --> 00:20:42,582
going on. So that's what you're watching while
450
00:20:42,606 --> 00:20:45,062
you're also picking up some things. Because,
451
00:20:45,246 --> 00:20:47,930
like, if we want to start at the very beginning,
452
00:20:48,350 --> 00:20:51,350
retrospectively, I find
453
00:20:51,470 --> 00:20:54,358
the opening shot to be fascinating. Just
454
00:20:54,414 --> 00:20:57,398
because it's like, him in bed,
455
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dark, and that
456
00:21:00,092 --> 00:21:02,996
there's clearly. He's
457
00:21:03,028 --> 00:21:05,828
on his side of the bed, and he reaches over
458
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and very poignantly, his hand is, like,
459
00:21:08,540 --> 00:21:11,252
perfectly centered and it shows the wedding
460
00:21:11,396 --> 00:21:12,004
ring.
461
00:21:12,132 --> 00:21:12,724
>> Will: Yeah.
462
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>> Sarah : Now the rest of the episode,
463
00:21:16,700 --> 00:21:19,686
they don't verbatim, say she's dead.
464
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No, I really. Right.
465
00:21:23,630 --> 00:21:26,150
So part of you is also like, okay, so
466
00:21:26,190 --> 00:21:29,062
now there's this other mystery about him and
467
00:21:29,086 --> 00:21:31,822
his wife. What's going on there. And
468
00:21:31,926 --> 00:21:34,814
you don't find out until the second episode that, yes,
469
00:21:34,862 --> 00:21:37,358
she is deceased. Right. And
470
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so that allows to, like. Okay,
471
00:21:40,190 --> 00:21:43,072
so they want that to be like, a more
472
00:21:43,096 --> 00:21:45,904
of a family story. But
473
00:21:46,072 --> 00:21:48,528
yeah. Yeah. Cause the next
474
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one comes with James and the giant
475
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peach. And I warned you, Will,
476
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that there's a few scenes that I have some
477
00:21:57,096 --> 00:21:58,884
soapbox moment.
478
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>> Will: You warned me about that last Sunday night.
479
00:22:01,420 --> 00:22:04,278
>> Sarah : Yeah, I just had one of them. and my next one is
480
00:22:04,302 --> 00:22:06,746
going to be about James and Giant Peach.
481
00:22:09,006 --> 00:22:11,574
Just because I did
482
00:22:11,630 --> 00:22:14,342
clock it. I was like, why. Why is he
483
00:22:14,414 --> 00:22:16,306
so weird about that book?
484
00:22:17,376 --> 00:22:19,832
that initially. But I just
485
00:22:19,904 --> 00:22:21,796
love how
486
00:22:22,746 --> 00:22:25,186
it We.
487
00:22:25,306 --> 00:22:28,046
We. We fast forward
488
00:22:28,426 --> 00:22:31,330
to towards when we find out
489
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what his conversation, his last
490
00:22:33,914 --> 00:22:36,606
conversation with Cal was about.
491
00:22:37,386 --> 00:22:39,922
And during that conversation,
492
00:22:40,114 --> 00:22:42,914
we learn about the significance of James and
493
00:22:42,970 --> 00:22:45,378
Giant Peach. And it's
494
00:22:45,442 --> 00:22:48,348
not. And
495
00:22:48,372 --> 00:22:51,096
it was done so well because
496
00:22:51,876 --> 00:22:54,812
he basically says his wife was obsessed
497
00:22:54,844 --> 00:22:57,676
with the novel and he learned all of this
498
00:22:57,716 --> 00:23:00,620
stuff about it, and then he drops the tidbit.
499
00:23:00,668 --> 00:23:03,148
Did you know that it was going to be James and the Giant
500
00:23:03,212 --> 00:23:06,140
Cherry? And now all I can think about is,
501
00:23:06,228 --> 00:23:08,336
if that was the title,
502
00:23:09,716 --> 00:23:12,252
what would the name of our son be?
503
00:23:12,404 --> 00:23:14,834
Like, it wouldn't be James or would it?
504
00:23:15,020 --> 00:23:17,862
And really, what that
505
00:23:17,934 --> 00:23:20,066
story from the past
506
00:23:20,926 --> 00:23:23,746
is telling the viewers is
507
00:23:24,126 --> 00:23:26,998
currently in paradise. All he
508
00:23:27,022 --> 00:23:30,006
can think to himself is, what
509
00:23:30,046 --> 00:23:32,566
would have happened if
510
00:23:32,686 --> 00:23:35,414
Cal had kept the
511
00:23:35,470 --> 00:23:38,026
same lead agent. Yeah,
512
00:23:39,006 --> 00:23:41,892
that's brilliant. Yeah, like. Like,
513
00:23:41,964 --> 00:23:44,964
it's just. Oh, I could
514
00:23:45,020 --> 00:23:47,556
go into so much about
515
00:23:47,676 --> 00:23:50,500
why that is so substantial, and it's
516
00:23:50,548 --> 00:23:53,336
mainly because it's a perfect example
517
00:23:53,836 --> 00:23:56,740
of the use of a flashback.
518
00:23:56,868 --> 00:23:59,716
Like, this whole show so far,
519
00:23:59,756 --> 00:24:01,616
we're only two episodes in
520
00:24:02,316 --> 00:24:04,772
that. But I am
521
00:24:04,844 --> 00:24:07,716
loving their use of flashbacks to not
522
00:24:07,756 --> 00:24:10,708
only contextualize the history of
523
00:24:10,732 --> 00:24:13,156
the characters, but more importantly, to
524
00:24:13,196 --> 00:24:16,164
contextualize the present day. I feel like
525
00:24:16,220 --> 00:24:18,900
over the last years, we've watched several
526
00:24:18,988 --> 00:24:21,896
shows, and the first one that comes to mind is Reacher.
527
00:24:22,236 --> 00:24:24,916
This past season of Reacher, season two,
528
00:24:25,036 --> 00:24:27,764
there was an entire Bee storyline
529
00:24:27,860 --> 00:24:30,708
in flashback. And I complained
530
00:24:30,772 --> 00:24:32,416
the entire time.
531
00:24:33,676 --> 00:24:36,286
I was like, why are we
532
00:24:36,326 --> 00:24:39,214
watching what feels like two different shows?
533
00:24:39,390 --> 00:24:42,110
But, like, the flashbacks aren't really
534
00:24:42,198 --> 00:24:44,846
saying anything significant about who these
535
00:24:44,886 --> 00:24:47,598
characters were versus who they are now.
536
00:24:47,702 --> 00:24:50,462
Like. Like, I understood how they were using
537
00:24:50,534 --> 00:24:52,466
it. It just. It wasn't.
538
00:24:53,366 --> 00:24:56,014
It wasn't anything special. But
539
00:24:56,150 --> 00:24:58,462
Dan Fogelman, what he's doing with
540
00:24:58,534 --> 00:25:01,406
this, and it makes all the sense in the world for what
541
00:25:01,446 --> 00:25:03,886
he. How he played with time in this Is
542
00:25:03,926 --> 00:25:06,156
Us. But the
543
00:25:06,196 --> 00:25:07,976
flashbacks are really
544
00:25:09,476 --> 00:25:11,846
showing you in very, unsurprising,
545
00:25:12,346 --> 00:25:15,006
like, surprising ways about
546
00:25:15,306 --> 00:25:17,970
why the characters are behaving. They are.
547
00:25:18,138 --> 00:25:19,826
Way they are in present day.
548
00:25:19,946 --> 00:25:22,898
>> Will: Yeah. Yeah. I mean, that was whenever I have that
549
00:25:22,922 --> 00:25:25,166
moment, whenever. At the end of
550
00:25:25,866 --> 00:25:28,610
pulling it, pulling the book
551
00:25:28,698 --> 00:25:31,328
and the story and understanding
552
00:25:31,392 --> 00:25:34,032
why Xavier had that reaction
553
00:25:34,144 --> 00:25:37,008
when his son was. Was reading the book. So first I was like,
554
00:25:37,032 --> 00:25:39,520
okay. I mean, I know Roald all. I mean, you know, so.
555
00:25:39,688 --> 00:25:42,592
And I was like, so what's
556
00:25:42,624 --> 00:25:45,264
so significant, you know, about
557
00:25:45,400 --> 00:25:48,208
why. You know, because. Yeah. I mean, this book was banned and
558
00:25:48,232 --> 00:25:50,832
stuff, so I was like, hey, you know, so I was trying to figure out, like, okay,
559
00:25:50,864 --> 00:25:53,276
now what's about real doll. That's like.
560
00:25:53,736 --> 00:25:56,576
Ronaldo was like. Calls him
561
00:25:56,616 --> 00:25:59,488
just have that reaction. And. But then whenever, like you
562
00:25:59,512 --> 00:26:02,368
said, the use of the flashback to, like, it
563
00:26:02,392 --> 00:26:04,556
just really just contextualized everything
564
00:26:05,096 --> 00:26:07,936
that. That. What. That
565
00:26:08,056 --> 00:26:10,624
why Xavier reacted the way that he did.
566
00:26:10,680 --> 00:26:12,876
And not only the,
567
00:26:13,616 --> 00:26:16,568
you know, the story, but also there's that quick moment
568
00:26:16,712 --> 00:26:19,400
when they flash as far as, you know, with the.
569
00:26:19,488 --> 00:26:21,516
With Xavier's wife.
570
00:26:22,556 --> 00:26:25,296
and. And of course, you know, and we get.
571
00:26:25,846 --> 00:26:27,070
>> Sarah : That's the second episode.
572
00:26:27,118 --> 00:26:30,106
>> Will: Oh, yeah. Second episode. Yeah. That's the only thing I'm glad we didn't do all three.
573
00:26:30,806 --> 00:26:33,550
Yeah, I would have put it all three of this. Yeah. But,
574
00:26:33,638 --> 00:26:36,382
but, but, but at least it did. Yeah, but I mean. But yeah,
575
00:26:36,414 --> 00:26:39,086
that's to, to that point it does. Like, you know, when we do get
576
00:26:39,126 --> 00:26:41,646
confirmation, it just like really explains their
577
00:26:41,686 --> 00:26:42,626
relationship.
578
00:26:44,256 --> 00:26:47,208
and, and why he was just so, why he was
579
00:26:47,232 --> 00:26:50,040
just so, you know, bitter
580
00:26:50,088 --> 00:26:52,946
towards him. you know, whenever that,
581
00:26:52,986 --> 00:26:55,842
that, that last night before, Before Wildcat goes
582
00:26:55,874 --> 00:26:56,446
down.
583
00:26:56,906 --> 00:26:59,794
>> Sarah : Wait, wait, wait, wait. So wait,
584
00:26:59,810 --> 00:27:01,026
you gotta, you gotta.
585
00:27:01,186 --> 00:27:01,762
>> Will: Yeah.
586
00:27:01,874 --> 00:27:04,786
>> Sarah : I don't know if you ex. Expressed, your point.
587
00:27:04,906 --> 00:27:07,730
>> Will: Yeah, yeah. No, I guess the, I mean, I
588
00:27:07,738 --> 00:27:10,546
guess it explains. Thanks for. Yeah, thanks. I was
589
00:27:10,586 --> 00:27:12,766
getting the episodes conflated there.
590
00:27:14,906 --> 00:27:17,778
hearing the story at the end of the episode makes it,
591
00:27:17,882 --> 00:27:20,678
it really, it, it contextualize why for
592
00:27:20,702 --> 00:27:22,386
me, why he was so.
593
00:27:23,246 --> 00:27:26,182
His, his reaction that morning at breakfast whenever
594
00:27:26,214 --> 00:27:29,088
the book came up. and to your point, it
595
00:27:29,112 --> 00:27:32,000
does explain. You know, it's a great use of
596
00:27:32,008 --> 00:27:34,976
flashback to just flesh out these characters and help
597
00:27:35,016 --> 00:27:37,264
us understand their motivations and.
598
00:27:37,400 --> 00:27:38,032
>> Sarah : Right.
599
00:27:38,184 --> 00:27:40,918
>> Will: And you know, and we learn so much
600
00:27:40,942 --> 00:27:43,846
about them, you know, with a natural flow of the
601
00:27:43,886 --> 00:27:46,436
story instead of just, you know, just
602
00:27:46,492 --> 00:27:47,012
exposition.
603
00:27:47,060 --> 00:27:48,978
>> Sarah : Dump of oh my God.
604
00:27:49,638 --> 00:27:52,254
>> Will: Telling us, you know, showing us instead of telling
605
00:27:52,286 --> 00:27:52,814
us.
606
00:27:52,966 --> 00:27:55,726
>> Sarah : Yeah, yeah. I mean, you could argue
607
00:27:55,822 --> 00:27:58,814
like this is all dialogue, but it's, it's
608
00:27:58,846 --> 00:28:01,838
the way it's written where it feels like honest
609
00:28:01,918 --> 00:28:04,670
conversations between people who have
610
00:28:04,774 --> 00:28:07,086
history. Like I,
611
00:28:07,222 --> 00:28:09,918
I. Again,
612
00:28:10,038 --> 00:28:12,350
we've watched shows where there are
613
00:28:12,374 --> 00:28:15,092
characters who are mainly
614
00:28:15,270 --> 00:28:17,748
or pretty much have to be in the past.
615
00:28:18,738 --> 00:28:21,674
those characters never stand out to me because I'm like, oh, you're
616
00:28:21,706 --> 00:28:23,898
dead. Cal is amazing.
617
00:28:24,058 --> 00:28:24,490
>> Will: Yeah.
618
00:28:24,554 --> 00:28:27,530
>> Sarah : Oh, James Marsden, I'm
619
00:28:27,594 --> 00:28:30,218
so glad that you are on the up and
620
00:28:30,258 --> 00:28:33,210
up because you're you,
621
00:28:33,314 --> 00:28:35,898
you are cast so well in this part.
622
00:28:36,018 --> 00:28:36,628
>> Will: Totally.
623
00:28:36,628 --> 00:28:39,540
>> Sarah : like you knew it from the moment Xavier went in for the
624
00:28:39,564 --> 00:28:42,452
interview. Like I felt as a viewer,
625
00:28:42,500 --> 00:28:45,168
I was interviewing James Marsden because
626
00:28:45,628 --> 00:28:47,892
I know Sterling K. Brown. Like,
627
00:28:47,980 --> 00:28:50,916
Sterling, arguably, he's doing
628
00:28:50,972 --> 00:28:53,924
the same role as a lot of things, but whatever. It's Sterling
629
00:28:53,956 --> 00:28:56,502
K. Brown, James Marsden. Though
630
00:28:56,590 --> 00:28:59,206
I'm glad that it was clear to me he's not
631
00:28:59,262 --> 00:29:01,862
necessarily poking fun at a
632
00:29:01,950 --> 00:29:04,738
single president, but more of like
633
00:29:05,118 --> 00:29:06,898
a few mixed together.
634
00:29:08,878 --> 00:29:11,702
It's not an impression or anything. No,
635
00:29:11,870 --> 00:29:13,538
but you also
636
00:29:14,878 --> 00:29:17,830
over with all the scenes, especially in the
637
00:29:17,854 --> 00:29:20,310
second episode, you do start to see the
638
00:29:20,334 --> 00:29:23,298
charm. And I think that
639
00:29:23,678 --> 00:29:26,512
why I, the casting
640
00:29:26,560 --> 00:29:29,280
is so good because the chemistry between these two
641
00:29:29,384 --> 00:29:31,974
and the just
642
00:29:32,046 --> 00:29:34,886
the, the within the first beating
643
00:29:34,982 --> 00:29:37,142
the. So you hired me because I was black.
644
00:29:37,230 --> 00:29:37,898
>> Will: Yeah.
645
00:29:39,098 --> 00:29:41,794
>> Sarah : No, no, I didn't. I.
646
00:29:41,866 --> 00:29:44,610
I'm hired. You because you're good. It's a
647
00:29:44,634 --> 00:29:45,810
bonus that you're black.
648
00:29:45,914 --> 00:29:46,242
>> Will: Yeah.
649
00:29:46,290 --> 00:29:48,818
>> Sarah : Yeah, it
650
00:29:48,858 --> 00:29:51,634
is. It's just. It was just the way.
651
00:29:51,706 --> 00:29:54,706
And then he. Of course, we. We see.
652
00:29:54,842 --> 00:29:57,666
Which I thought initially was a bit premature
653
00:29:57,762 --> 00:30:00,482
because we. We do see during the
654
00:30:00,490 --> 00:30:03,346
opening montage that there's a bullet wound on
655
00:30:03,402 --> 00:30:04,444
Xavier's back.
656
00:30:04,546 --> 00:30:04,952
>> Will: Yep.
657
00:30:05,000 --> 00:30:07,880
>> Sarah : And we learn within the first episode where that came from. It
658
00:30:07,904 --> 00:30:10,456
came from saving the President from an
659
00:30:10,512 --> 00:30:13,256
assassination attempt. And
660
00:30:13,392 --> 00:30:15,976
I was like, whoa, whoa, we're. We're getting that this
661
00:30:16,032 --> 00:30:18,936
early? But I.
662
00:30:18,992 --> 00:30:21,976
I'm. I'm guessing that there's a lot more to tell than
663
00:30:22,032 --> 00:30:24,968
just where that bullet wound came from. And it
664
00:30:25,008 --> 00:30:27,508
allowed for another good
665
00:30:27,968 --> 00:30:30,678
kind of past meets past present
666
00:30:30,798 --> 00:30:33,654
situation, like James and Giant Peach. Because
667
00:30:33,726 --> 00:30:35,938
this episode is called Wildcat Down.
668
00:30:36,638 --> 00:30:39,142
But you hear when
669
00:30:39,230 --> 00:30:42,018
Xavier in present day calls in
670
00:30:42,798 --> 00:30:45,768
that. Or when he calls his,
671
00:30:45,718 --> 00:30:48,480
other agent, Wallace. Billy.
672
00:30:48,576 --> 00:30:49,680
>> Will: Yep. Billy.
673
00:30:49,856 --> 00:30:52,412
>> Sarah : He doesn't say Wildcat Down.
674
00:30:52,792 --> 00:30:55,442
He says, Lancaster.
675
00:30:55,602 --> 00:30:57,876
Right? Yeah, yeah,
676
00:30:57,924 --> 00:31:00,836
Lancaster. Leitner. Leitner. Kristian
677
00:31:00,884 --> 00:31:01,428
Leitner.
678
00:31:01,540 --> 00:31:03,992
>> Will: Leitner, yeah. Kristian Leitner. Yeah. Basketball.
679
00:31:04,332 --> 00:31:07,092
>> Sarah : Yeah. Kristian Link. Laetner. And
680
00:31:07,132 --> 00:31:09,844
we don't. And, and so for a moment I was
681
00:31:09,868 --> 00:31:12,772
like, what, What? Why, why
682
00:31:12,812 --> 00:31:15,812
you say that, babe? Like, again, people. I don't know.
683
00:31:15,852 --> 00:31:17,668
I. I was paying attention.
684
00:31:17,780 --> 00:31:18,628
>> Will: Yep, yep.
685
00:31:18,740 --> 00:31:21,312
>> Sarah : And I did not see the end coming.
686
00:31:23,582 --> 00:31:26,166
But. So, so then
687
00:31:26,334 --> 00:31:29,254
fast forward to the flashback of
688
00:31:29,278 --> 00:31:32,118
him getting shot and taking the bullet for Cal.
689
00:31:32,270 --> 00:31:35,110
Cal is by his bedside. And
690
00:31:35,166 --> 00:31:37,926
then we hear this great story
691
00:31:38,014 --> 00:31:40,534
from Cal about the
692
00:31:40,558 --> 00:31:43,462
Wildcats and, And what it
693
00:31:43,502 --> 00:31:45,722
means to get Kristian Laettner.
694
00:31:46,142 --> 00:31:48,774
And I'm just. I'm like, oh, my
695
00:31:48,798 --> 00:31:51,178
God, the writing, the writing.
696
00:31:51,290 --> 00:31:54,272
>> Will: And, I will tell you someone who, yeah, so, so
697
00:31:54,312 --> 00:31:57,168
good. As someone who lives on Tobacco Road where
698
00:31:57,240 --> 00:32:00,144
Duke and North Carolina, and. And
699
00:32:00,168 --> 00:32:03,072
I love the. I love the banter too, because, you know,
700
00:32:03,192 --> 00:32:05,542
thinking back to, like the conversation of,
701
00:32:06,792 --> 00:32:09,648
whenever. With the interview with Cal
702
00:32:09,800 --> 00:32:12,608
and. And Xavier, you know, about
703
00:32:12,680 --> 00:32:15,664
race and black and, and just the, you
704
00:32:15,688 --> 00:32:18,654
know, you know, Cal just assume it just. Just
705
00:32:18,678 --> 00:32:21,454
because Xavier is a black man. He.
706
00:32:21,558 --> 00:32:24,542
He was a big basketball fan or big sports fan or whatever.
707
00:32:24,622 --> 00:32:27,422
And, you know, and again, it just. Conversations like that
708
00:32:27,462 --> 00:32:30,398
flesh out the character. Again, you know, it's, it's,
709
00:32:30,430 --> 00:32:33,326
you know, to use a dialogue in, In a, in an
710
00:32:33,414 --> 00:32:35,966
efficient and, and, and realistic
711
00:32:36,014 --> 00:32:36,602
way.
712
00:32:36,982 --> 00:32:37,678
>> Sarah : Yeah.
713
00:32:37,790 --> 00:32:40,574
>> Will: Really, really works there. So. Yeah, so.
714
00:32:40,678 --> 00:32:43,470
So whenever I heard a Kristian Latener remark, you know, the story.
715
00:32:43,526 --> 00:32:46,182
And, and of course, remembering that, Remembering, that
716
00:32:46,222 --> 00:32:49,052
shot, you know, because I'm a big sports fan and stuff, and it just,
717
00:32:49,092 --> 00:32:51,900
again, it just like, it just added another level
718
00:32:51,956 --> 00:32:54,940
for me as far as, like, all this show
719
00:32:54,996 --> 00:32:55,836
gets it.
720
00:32:56,004 --> 00:32:57,592
>> Sarah : Oh, yeah. Like,
721
00:32:58,772 --> 00:33:01,724
it's. It's not just that the show gets it, that the
722
00:33:01,748 --> 00:33:04,352
show is doing some,
723
00:33:04,914 --> 00:33:07,722
This is one of the best pilots I've seen in
724
00:33:07,762 --> 00:33:09,130
arguably eight years.
725
00:33:09,266 --> 00:33:11,978
>> Will: Yeah. Yeah, I was hooked. I mean, I.
726
00:33:12,130 --> 00:33:14,914
For moment, from the start to finish, finished. I was just like, I
727
00:33:14,938 --> 00:33:17,874
couldn't wait, you know, because. Because, you know, I messaged you. I was
728
00:33:17,898 --> 00:33:20,706
like, hey, the show, it dropped early because it was really going to
729
00:33:20,714 --> 00:33:23,570
drop, you know, Tuesday, and it dropped it early on Sunday
730
00:33:23,626 --> 00:33:26,594
night. So I was like, hey, let me. Let you. Let me
731
00:33:26,618 --> 00:33:29,186
tell you now because I want to talk, especially
732
00:33:29,274 --> 00:33:32,076
after, Especially after I watched it. I was like, okay, please watch it tonight,
733
00:33:32,124 --> 00:33:33,912
please, so I can, like, say something to you.
734
00:33:34,372 --> 00:33:37,356
>> Sarah : Yeah, yeah. Because it's. It's also something you're like, I
735
00:33:37,364 --> 00:33:40,308
don't want to spoil that for anybody, but it's
736
00:33:40,340 --> 00:33:42,228
just the
737
00:33:42,300 --> 00:33:45,124
execution from start to
738
00:33:45,148 --> 00:33:47,764
finish is so good. And.
739
00:33:47,868 --> 00:33:50,788
Yeah, and I kept thinking
740
00:33:50,820 --> 00:33:53,652
about this. I'm like, it feels
741
00:33:53,732 --> 00:33:56,692
different talking about the brilliance of this show
742
00:33:56,732 --> 00:33:59,604
in this pilot episode versus when we
743
00:33:59,628 --> 00:34:02,418
were ragging not only, a few months ago, talking
744
00:34:02,450 --> 00:34:05,108
about the brilliance of Penguins pilot
745
00:34:05,210 --> 00:34:07,664
or even, surprisingly, Agatha all
746
00:34:07,688 --> 00:34:09,920
along. But those are different
747
00:34:10,056 --> 00:34:12,252
legacy. I think what people
748
00:34:12,552 --> 00:34:14,732
forget is
749
00:34:15,592 --> 00:34:17,680
this is an original series.
750
00:34:17,816 --> 00:34:19,376
>> Will: Yes. Yes. Yeah.
751
00:34:19,424 --> 00:34:22,176
>> Sarah : An original series that is also
752
00:34:22,264 --> 00:34:25,252
not technically not based in. In,
753
00:34:25,202 --> 00:34:26,822
in steep mythology.
754
00:34:27,882 --> 00:34:30,836
It's. It's so. So it, For all intents
755
00:34:30,884 --> 00:34:33,016
and purposes, this should have been a very
756
00:34:33,164 --> 00:34:36,048
simple and routine
757
00:34:36,160 --> 00:34:39,136
procedural. But there's. Which.
758
00:34:39,224 --> 00:34:42,112
There is enough of that to not
759
00:34:42,152 --> 00:34:44,816
overcomplicate things. But there's
760
00:34:44,864 --> 00:34:47,760
also this subtleness that just
761
00:34:47,816 --> 00:34:50,736
makes it feel so much more
762
00:34:50,824 --> 00:34:53,008
alive and refreshing
763
00:34:53,200 --> 00:34:55,184
to hear actual
764
00:34:55,248 --> 00:34:57,872
dialogue, not get exposition
765
00:34:57,952 --> 00:35:00,832
dumps, not have to worry about, like, oh, man,
766
00:35:00,872 --> 00:35:03,490
I have to know what happened 100 years back
767
00:35:03,536 --> 00:35:05,602
prior. Like, yeah,
768
00:35:06,182 --> 00:35:09,134
just five. Five years prior. We have to
769
00:35:09,158 --> 00:35:11,678
figure out. But we'll get there eventually.
770
00:35:11,870 --> 00:35:14,510
We're here for the. The ride. And.
771
00:35:14,646 --> 00:35:17,402
And it's just a lot of things where
772
00:35:18,022 --> 00:35:20,766
I didn't really even pick up on this until
773
00:35:20,934 --> 00:35:23,550
I was sat down to watch the next. The second
774
00:35:23,606 --> 00:35:26,042
episode, Sinatra. But
775
00:35:26,422 --> 00:35:29,070
he. So he finds Cal's body,
776
00:35:29,126 --> 00:35:32,088
and we're going to do a synopsis of the actual events
777
00:35:32,120 --> 00:35:34,572
and then jump into the second episode, guys.
778
00:35:34,792 --> 00:35:37,440
but I just want to get through this. These few
779
00:35:37,496 --> 00:35:40,208
beats first that he finds Cal's
780
00:35:40,240 --> 00:35:42,944
body and he doesn't call it
781
00:35:42,968 --> 00:35:45,792
in. He looks for the safe and then
782
00:35:45,832 --> 00:35:48,592
it's the mystery for the next 20 minutes is
783
00:35:48,632 --> 00:35:51,328
like why is he so concerned about
784
00:35:51,400 --> 00:35:54,384
this? Whatever was in the safe, we find out that
785
00:35:54,408 --> 00:35:57,272
it was the tablet containing the world's
786
00:35:57,772 --> 00:36:00,548
biggest darkest secrets, global
787
00:36:00,620 --> 00:36:01,860
news, etc.
788
00:36:01,956 --> 00:36:02,740
>> Will: Yeah.
789
00:36:02,916 --> 00:36:05,512
>> Sarah : But the most importantly,
790
00:36:06,092 --> 00:36:09,092
he takes a cigarette box from
791
00:36:09,132 --> 00:36:10,372
Cap, right?
792
00:36:10,492 --> 00:36:11,252
>> Will: Yep.
793
00:36:11,412 --> 00:36:14,196
>> Sarah : And he find we. We see him running
794
00:36:14,244 --> 00:36:17,172
back through town and that's when we start to
795
00:36:17,212 --> 00:36:19,940
realize where they actually are and where
796
00:36:19,996 --> 00:36:22,272
the setting in present day is
797
00:36:22,612 --> 00:36:25,164
paradise and what paradise is.
798
00:36:25,268 --> 00:36:26,552
And he
799
00:36:28,352 --> 00:36:31,048
So I didn't. And then he picks
800
00:36:31,080 --> 00:36:33,624
up, he pulls out the cigarette and it shows a
801
00:36:33,648 --> 00:36:36,552
code. And that leads us into the next
802
00:36:36,592 --> 00:36:39,416
episode. But here's my point
803
00:36:39,504 --> 00:36:42,408
for bringing that up. Not just because of the code
804
00:36:42,440 --> 00:36:45,332
and it's significant in episode two, but
805
00:36:45,712 --> 00:36:46,452
that
806
00:36:48,362 --> 00:36:51,234
the second flashback we see between Cal
807
00:36:51,338 --> 00:36:53,554
and Xavier. Cal is
808
00:36:53,578 --> 00:36:56,542
smoking and he
809
00:36:57,002 --> 00:36:59,714
and Xavier like they have an
810
00:36:59,738 --> 00:37:02,658
exchange because Cal, Cal. I feel like it wants
811
00:37:02,690 --> 00:37:04,018
Xavier to smoke.
812
00:37:04,130 --> 00:37:06,994
>> Will: Yeah, he
813
00:37:07,018 --> 00:37:09,182
wants him to drink and he wants him to smoke. But.
814
00:37:09,962 --> 00:37:12,706
>> Sarah : But, but what? What? Because what's in that
815
00:37:12,794 --> 00:37:13,978
box will kill you.
816
00:37:14,090 --> 00:37:14,794
>> Will: Yep.
817
00:37:14,938 --> 00:37:17,562
>> Sarah : And. And it turns out that there's the
818
00:37:17,602 --> 00:37:20,022
significance of this eight digit number
819
00:37:21,042 --> 00:37:23,786
potentially could behind
820
00:37:23,874 --> 00:37:26,714
it lead to have led to Cal's death.
821
00:37:26,818 --> 00:37:29,674
And it's just like that subtleness again, I didn't even pick it
822
00:37:29,698 --> 00:37:32,634
up in the moment it took me to watching the
823
00:37:32,658 --> 00:37:35,354
second episode to make that connection between
824
00:37:35,458 --> 00:37:38,394
that line and that,
825
00:37:38,498 --> 00:37:39,536
that scene.
826
00:37:39,714 --> 00:37:42,500
>> Will: Yeah, yeah, that, that's a great point
827
00:37:42,556 --> 00:37:45,392
also to you know,
828
00:37:45,432 --> 00:37:48,304
not only with that scene where they are out on
829
00:37:48,328 --> 00:37:50,758
the porch, there outside the Oval Office
830
00:37:50,830 --> 00:37:53,008
and the
831
00:37:53,160 --> 00:37:55,808
discussing whether about kids.
832
00:37:55,920 --> 00:37:56,304
>> Sarah : Yeah.
833
00:37:56,368 --> 00:37:58,812
>> Will: And, and, and, and
834
00:38:00,202 --> 00:38:03,074
you know, they have this discussion as far as like you plan on
835
00:38:03,098 --> 00:38:05,762
having any more. And then Kyle's like that's probably a good
836
00:38:05,802 --> 00:38:08,768
idea. And then when you tie that into like whatever
837
00:38:08,800 --> 00:38:11,664
is on that tablet, especially after the assassination attempt
838
00:38:11,728 --> 00:38:13,612
and where you know
839
00:38:14,152 --> 00:38:17,102
where. Because of that moment
840
00:38:17,182 --> 00:38:19,722
and you know, and also with
841
00:38:20,022 --> 00:38:23,012
whenever Xavier's recuperating in the hospital and
842
00:38:23,052 --> 00:38:25,652
just you know, whenever they had
843
00:38:25,692 --> 00:38:28,452
that, that unspoken
844
00:38:28,532 --> 00:38:31,444
like realization of what, what has happened
845
00:38:31,508 --> 00:38:34,378
and, and now that their bond really, you know,
846
00:38:34,500 --> 00:38:37,390
just seeing how that relationship evolved and then that, that you know
847
00:38:37,446 --> 00:38:39,934
he took a bullet for him literally. And,
848
00:38:40,118 --> 00:38:42,910
and that opened the door
849
00:38:43,006 --> 00:38:43,642
to
850
00:38:45,382 --> 00:38:48,174
getting in, coming into office with all the
851
00:38:48,198 --> 00:38:51,150
national security folks and stuff and they're like we have something
852
00:38:51,206 --> 00:38:54,174
we want to tell you. And they let him in on the. What's going on with you
853
00:38:54,198 --> 00:38:57,022
know, the box, you know, secrets and all that kind of stuff,
854
00:38:57,102 --> 00:38:57,726
so.
855
00:38:57,894 --> 00:38:59,470
>> Sarah : Well, they let him on the plane.
856
00:38:59,566 --> 00:39:00,766
>> Will: And he let him on the plane.
857
00:39:00,814 --> 00:39:03,790
>> Sarah : Yeah. And his children on the plane. And
858
00:39:03,926 --> 00:39:06,762
we'll find out eventually why the W wasn't there
859
00:39:06,802 --> 00:39:07,066
either.
860
00:39:07,114 --> 00:39:10,062
>> Will: Yeah, yeah. and one of the things I was
861
00:39:10,102 --> 00:39:12,926
thinking with the code is like, is it, you know, is this code tied
862
00:39:12,974 --> 00:39:15,630
to. To the wife and stuff? Especially what we learned in the second
863
00:39:15,686 --> 00:39:18,612
episode. But let me get back to the first episode. where
864
00:39:18,652 --> 00:39:21,540
I was going with that is just with the line
865
00:39:21,596 --> 00:39:24,324
about, you know, it's probably a good thing, not that you're probably
866
00:39:24,388 --> 00:39:27,204
not having anymore, just, you
867
00:39:27,228 --> 00:39:30,164
know, clearly shows that Cal knew
868
00:39:30,228 --> 00:39:32,980
something. Something was afoot that was going to cause this global
869
00:39:33,036 --> 00:39:35,992
catastrophe that led them all to go underground.
870
00:39:36,442 --> 00:39:39,138
And so that's another one of those, again,
871
00:39:39,210 --> 00:39:42,116
context clues and another, like, line of dialogue, that
872
00:39:42,220 --> 00:39:45,044
at the moment you don't realize it in the flashback, but
873
00:39:45,084 --> 00:39:47,796
then when you carry forward and see where, you know, when we get the big
874
00:39:47,820 --> 00:39:50,676
reveal at the end, why it makes. All makes so
875
00:39:50,700 --> 00:39:53,188
much great sense and how they just sort of
876
00:39:53,276 --> 00:39:55,904
unpack this mystery that's taking place in the show.
877
00:39:56,364 --> 00:39:58,804
>> Sarah : Yeah, yeah, you
878
00:39:58,924 --> 00:40:01,588
though those scenes and we are
879
00:40:01,676 --> 00:40:04,638
going into the second episode lead us to
880
00:40:04,726 --> 00:40:06,474
understand why.
881
00:40:07,894 --> 00:40:10,862
How. How Xavier earned his
882
00:40:10,918 --> 00:40:13,716
way to getting onto the plane, and saving
883
00:40:13,780 --> 00:40:16,464
his family from whatever happened. But,
884
00:40:17,974 --> 00:40:20,894
I just want to understand why Billy got on the plane
885
00:40:21,054 --> 00:40:23,834
and why Billy seems to know a lot more.
886
00:40:25,094 --> 00:40:28,062
Like anybody else curious about that. I would just
887
00:40:28,118 --> 00:40:30,966
like from the opening scene between the two of
888
00:40:30,990 --> 00:40:33,782
them, I was at first thinking they didn't really like each other,
889
00:40:33,838 --> 00:40:36,774
but. No, no, no. Billy and Xavier are tight.
890
00:40:36,854 --> 00:40:39,734
>> Will: They're tight. Yeah. I mean, Billy. Yeah. Cause I think he wasn't.
891
00:40:39,814 --> 00:40:42,758
I think Billy held onto that cigarette pack until Kyle
892
00:40:42,806 --> 00:40:45,526
was like, walking out of the room. I think they just had that,
893
00:40:45,550 --> 00:40:48,524
like a quick handoff. yeah, yeah, yeah.
894
00:40:48,604 --> 00:40:49,036
So.
895
00:40:49,140 --> 00:40:51,580
>> Sarah : So. So the next
896
00:40:51,652 --> 00:40:54,510
episode, Sinatra is all about Samantha
897
00:40:54,542 --> 00:40:57,496
Redmond, who we. We learn about in
898
00:40:57,520 --> 00:41:00,294
this episode. We meet briefly, when.
899
00:41:00,414 --> 00:41:03,094
When it is finally called in that
900
00:41:03,134 --> 00:41:05,154
Cal Wildcat is down.
901
00:41:05,574 --> 00:41:08,366
but this episode is really about
902
00:41:08,470 --> 00:41:10,634
her and how she.
903
00:41:12,054 --> 00:41:14,664
What her role is in paradise.
904
00:41:15,244 --> 00:41:18,100
and arguably it sets her up to be the
905
00:41:18,172 --> 00:41:21,012
antagonist of, like,
906
00:41:21,068 --> 00:41:23,664
we don't really know, but it does it
907
00:41:23,984 --> 00:41:26,968
in this way where, yeah, something's
908
00:41:27,016 --> 00:41:28,564
off I can understand.
909
00:41:29,344 --> 00:41:31,604
But we also,
910
00:41:32,544 --> 00:41:35,234
we also watch, her lose her
911
00:41:35,274 --> 00:41:35,894
son.
912
00:41:36,234 --> 00:41:37,074
>> Will: Yeah.
913
00:41:37,234 --> 00:41:39,134
>> Sarah : And I laugh because
914
00:41:39,674 --> 00:41:42,630
it's, The flashbacks are. Are
915
00:41:42,702 --> 00:41:45,430
all tied to her and her,
916
00:41:45,502 --> 00:41:47,718
her grief about that. Very poignant.
917
00:41:47,766 --> 00:41:50,748
Poignantly. And then by the end
918
00:41:50,756 --> 00:41:53,596
of the episode, it's basically. The implication
919
00:41:53,660 --> 00:41:55,900
is she built paradise for her son.
920
00:41:56,012 --> 00:41:58,704
>> Will: Yeah. Oh, that's the. The. Whenever
921
00:41:59,044 --> 00:42:02,018
I saw all those, mechanical horses.
922
00:42:02,146 --> 00:42:04,994
Oh, yeah. I was just like. Oh, I just
923
00:42:05,034 --> 00:42:07,954
like chef's kiss. I mean, just
924
00:42:08,074 --> 00:42:11,042
pulling every. Pulling that together and, you know, from.
925
00:42:11,098 --> 00:42:14,072
>> Sarah : From how, you know, you can't hate her.
926
00:42:14,178 --> 00:42:14,796
>> Will: Yeah.
927
00:42:14,940 --> 00:42:17,868
>> Sarah : You, can't. No, no, you cannot. You cannot
928
00:42:17,916 --> 00:42:20,780
hate her for having gone. Go.
929
00:42:20,852 --> 00:42:23,708
Having to go through that and also
930
00:42:23,796 --> 00:42:26,668
figure it out. It's. It's very weird that interaction
931
00:42:26,716 --> 00:42:29,596
she had with her daughter, though, in present day, I was like, wow,
932
00:42:29,660 --> 00:42:31,464
you're still fucked up.
933
00:42:31,924 --> 00:42:33,260
>> Will: Yeah. Yeah.
934
00:42:33,452 --> 00:42:36,252
>> Sarah : But not. You're not who you were. But
935
00:42:36,388 --> 00:42:38,732
I. I just love the
936
00:42:38,788 --> 00:42:41,784
dialogue, the line of dialogue that
937
00:42:41,824 --> 00:42:44,564
stuck out to me, at least in the past,
938
00:42:45,664 --> 00:42:48,376
besides her interaction with Cal, but we'll get
939
00:42:48,400 --> 00:42:51,378
there. was when she was
940
00:42:51,546 --> 00:42:53,254
sitting down with Dr.
941
00:42:56,794 --> 00:42:59,696
Yeah. and she says, time is making it
942
00:42:59,720 --> 00:43:02,624
worse because it's taking me further away from
943
00:43:02,664 --> 00:43:05,654
when he was here. And I was like, you
944
00:43:05,694 --> 00:43:08,534
know, I am a very fortunate person. I have not
945
00:43:08,574 --> 00:43:10,982
dealt with a whole lot of grief, but,
946
00:43:11,118 --> 00:43:14,034
man, is that not
947
00:43:14,414 --> 00:43:17,142
what I can only imagine
948
00:43:17,318 --> 00:43:20,182
it is to feel like when you're going
949
00:43:20,238 --> 00:43:23,142
through that, like. And.
950
00:43:23,198 --> 00:43:26,118
And yet. And yet, oddly enough, I never heard
951
00:43:26,166 --> 00:43:28,902
somebody put it that way on screen.
952
00:43:29,078 --> 00:43:31,952
>> Will: Yeah. Yeah, that's. I mean, I have to.
953
00:43:32,008 --> 00:43:34,944
Yeah. That I had to pause, like, you know, as I was
954
00:43:34,984 --> 00:43:37,504
watching that. I mean, I didn't pause the episode, but it was
955
00:43:37,544 --> 00:43:40,064
just. It. It touched me, you know,
956
00:43:40,104 --> 00:43:42,832
someone, you know. You know, one
957
00:43:42,888 --> 00:43:45,744
just. You know, as a parent, I just really.
958
00:43:45,864 --> 00:43:48,464
That my heart just, like, went
959
00:43:48,504 --> 00:43:51,376
out, like, to this character because
960
00:43:51,480 --> 00:43:54,288
I could just. That's. That's the thing a parent never,
961
00:43:54,376 --> 00:43:57,334
ever wants to, like, ever have to experience.
962
00:43:57,794 --> 00:43:59,734
And. And
963
00:44:00,114 --> 00:44:03,094
so that,
964
00:44:03,714 --> 00:44:06,214
you know, hats off to Julian Nicholson for
965
00:44:06,914 --> 00:44:09,786
that. That was so real. As far as. I don't know
966
00:44:09,810 --> 00:44:12,602
where whatever she tapped into to convey that
967
00:44:12,658 --> 00:44:15,514
scene, but it was just. It was just real
968
00:44:15,554 --> 00:44:16,734
and so honest.
969
00:44:17,314 --> 00:44:20,186
>> Sarah : Yeah. And it also. It
970
00:44:20,210 --> 00:44:23,194
was said. And then it led to almost a
971
00:44:23,234 --> 00:44:26,224
breakdown of where it's like, I. I
972
00:44:26,264 --> 00:44:28,800
don't want to heal. I just need to be functional.
973
00:44:28,912 --> 00:44:29,440
>> Will: Yeah.
974
00:44:29,552 --> 00:44:32,524
>> Sarah : And you have that. And it. Which is such a
975
00:44:33,304 --> 00:44:36,202
different. I know it's
976
00:44:36,218 --> 00:44:39,194
not contradictory, but it's the opposite of what
977
00:44:39,234 --> 00:44:41,914
you see her as in present day, because in
978
00:44:41,954 --> 00:44:44,554
present day, she is very functional.
979
00:44:44,714 --> 00:44:46,090
Too functional.
980
00:44:46,282 --> 00:44:48,134
>> Will: Too functional. Yeah, but also.
981
00:44:48,994 --> 00:44:51,994
Yeah. Yeah, very functional. But also. But
982
00:44:52,034 --> 00:44:54,906
also when we see, you know, with the. Whenever she and her
983
00:44:54,930 --> 00:44:57,626
husband meet, as she's like on the
984
00:44:57,650 --> 00:44:59,002
rise as well.
985
00:44:59,058 --> 00:44:59,694
>> Sarah : Yeah.
986
00:45:00,314 --> 00:45:03,234
>> Will: it just like, you know, they did again, the
987
00:45:03,274 --> 00:45:06,162
great use of the flashbacks and. And
988
00:45:06,218 --> 00:45:09,170
you know, how they met and, you know, when she talks about how she's
989
00:45:09,202 --> 00:45:11,054
so broken, you know, her.
990
00:45:12,714 --> 00:45:15,698
My marriage is broken. My. You know, I just want to be
991
00:45:15,706 --> 00:45:18,434
able to. Like you said, be able to function. And, you
992
00:45:18,474 --> 00:45:21,298
know, so. And so part of me too. I was just like, wondering,
993
00:45:21,346 --> 00:45:24,162
like, with the one scene you brought. You brought up about her daughter, I'm
994
00:45:24,178 --> 00:45:26,624
like, now, is the daughter still with us?
995
00:45:26,924 --> 00:45:28,264
Or did the daughter.
996
00:45:28,604 --> 00:45:31,476
>> Sarah : Yeah, they. They edited that so well
997
00:45:31,580 --> 00:45:34,436
when he's at the end when it's her and
998
00:45:34,460 --> 00:45:37,092
Xavier and she says, oh, I had two
999
00:45:37,148 --> 00:45:38,276
children. Cut.
1000
00:45:38,460 --> 00:45:39,060
>> Will: Yeah.
1001
00:45:39,172 --> 00:45:42,052
>> Sarah : Added to a flashback. And I'm like. So I
1002
00:45:42,108 --> 00:45:45,060
Going into that flashlight, like, oh, great, we're gonna get another
1003
00:45:45,132 --> 00:45:48,132
child dead. But.
1004
00:45:48,188 --> 00:45:51,182
But no, no, they. They made sure
1005
00:45:51,238 --> 00:45:54,094
to do that and only to trick us because no,
1006
00:45:54,134 --> 00:45:56,798
the. The daughter's alive. It looked
1007
00:45:56,846 --> 00:45:59,710
like her and her husband are
1008
00:45:59,782 --> 00:46:02,670
somewhat still in. Like, there's
1009
00:46:02,702 --> 00:46:05,234
something. But she is definitely
1010
00:46:06,854 --> 00:46:09,034
still. She's not.
1011
00:46:09,494 --> 00:46:12,154
She's not all there. There is something off
1012
00:46:12,454 --> 00:46:15,022
now. I don't know what that has to do with
1013
00:46:15,078 --> 00:46:17,912
Cal, but I
1014
00:46:17,968 --> 00:46:20,696
do. I did find. I
1015
00:46:20,720 --> 00:46:23,304
did like how. As we
1016
00:46:23,344 --> 00:46:26,312
continue to talk about the interplay between
1017
00:46:26,448 --> 00:46:28,936
the past and the present in this show.
1018
00:46:29,120 --> 00:46:31,816
But I was thinking the whole episode
1019
00:46:31,880 --> 00:46:34,840
now, why. Why is this episode called Sinatra? And then it's
1020
00:46:34,872 --> 00:46:37,544
like, okay, okay, Samantha Redmond
1021
00:46:37,624 --> 00:46:40,600
is. Is Sinatra. And so
1022
00:46:40,752 --> 00:46:42,824
I like how she. She tells
1023
00:46:42,904 --> 00:46:45,736
Xavier, do you know why my
1024
00:46:45,760 --> 00:46:48,584
detail calls me m. Sinatra? And he's like, I
1025
00:46:48,624 --> 00:46:50,152
thought it was because the hats.
1026
00:46:50,328 --> 00:46:51,048
>> Will: Yep.
1027
00:46:51,176 --> 00:46:53,992
>> Sarah : And then. And I feel like that may be in the middle of
1028
00:46:54,048 --> 00:46:56,824
episode because I felt like it was scenes.
1029
00:46:56,984 --> 00:46:59,480
And then we get. We get in the past
1030
00:46:59,552 --> 00:47:02,248
again and her sitting in on this very
1031
00:47:02,336 --> 00:47:04,888
weird conference about the end of the world.
1032
00:47:05,056 --> 00:47:08,008
And Cal randomly is there too. And then
1033
00:47:08,016 --> 00:47:10,854
they meet and he takes. He's the one who
1034
00:47:10,894 --> 00:47:13,878
tells her about how his dad refers
1035
00:47:13,926 --> 00:47:15,590
to her as Sinatra.
1036
00:47:15,702 --> 00:47:16,214
>> Will: Yep.
1037
00:47:16,294 --> 00:47:18,598
>> Sarah : I can't wait to meet Cal's dad.
1038
00:47:18,726 --> 00:47:21,544
>> Will: Yeah. yeah, we did get a glimpse. I think we did get a brief glimpse of.
1039
00:47:21,600 --> 00:47:24,488
We did father and you know, and his ex wife
1040
00:47:24,552 --> 00:47:26,664
and, you know, obviously the son. Yeah.
1041
00:47:26,760 --> 00:47:29,656
>> Sarah : But it'll be. It's more. I.
1042
00:47:29,696 --> 00:47:32,488
I like how they're kind of putting that character in the
1043
00:47:32,512 --> 00:47:35,512
background because not only are we starting
1044
00:47:35,544 --> 00:47:38,488
to get bits about Cal's relationship with
1045
00:47:38,512 --> 00:47:41,144
him, but now there's this connection. It
1046
00:47:41,200 --> 00:47:44,120
seemed like Sam. Samantha knew
1047
00:47:44,168 --> 00:47:46,472
Cal through his father.
1048
00:47:46,664 --> 00:47:49,336
Like, so How. How did they
1049
00:47:49,376 --> 00:47:52,104
meet and then. And also, what did she
1050
00:47:52,160 --> 00:47:54,984
do to make her, like, give
1051
00:47:55,040 --> 00:47:57,704
off this instance that everyone looks to her
1052
00:47:57,840 --> 00:48:00,414
like she has this power, and
1053
00:48:00,470 --> 00:48:02,386
almost arguably stability
1054
00:48:03,196 --> 00:48:05,838
in her to lead. which is something
1055
00:48:05,942 --> 00:48:08,942
that. That his dad tells Cal
1056
00:48:09,014 --> 00:48:11,860
that he lacks. but. But
1057
00:48:11,948 --> 00:48:14,836
Samantha, it's funny because it's only taking
1058
00:48:14,876 --> 00:48:17,796
me two episodes. Like, Samantha doesn't have the
1059
00:48:17,836 --> 00:48:20,708
charm that Cald has. Right. And
1060
00:48:20,732 --> 00:48:23,684
which he says it's like, enough people just like
1061
00:48:23,740 --> 00:48:24,196
me.
1062
00:48:24,316 --> 00:48:26,084
>> Will: Yeah, yeah, yeah. I mean.
1063
00:48:26,220 --> 00:48:26,426
>> Sarah : Yeah.
1064
00:48:26,426 --> 00:48:29,412
>> Will: Ah, you're right. I mean, you know, he definitely, you know, he's
1065
00:48:29,444 --> 00:48:32,302
not. James Norstead is like, playing this character.
1066
00:48:32,334 --> 00:48:35,278
Like you said, it's not. It's a. It's a
1067
00:48:35,302 --> 00:48:37,186
modulation of like, multiple
1068
00:48:37,846 --> 00:48:40,638
personalities as far as, like, past presidents. I mean, he's got the
1069
00:48:40,662 --> 00:48:43,470
charm of Bill Clinton. You know, he, you
1070
00:48:43,478 --> 00:48:46,382
know, as far as the policy pieces, you know, nobody. He's like,
1071
00:48:46,454 --> 00:48:49,358
I'm a senator at that point. Whenever they first. Whenever we do
1072
00:48:49,382 --> 00:48:51,406
get that flashback at that point, he's still a senator.
1073
00:48:51,486 --> 00:48:52,110
>> Sarah : Yeah.
1074
00:48:52,238 --> 00:48:54,868
>> Will: So, so, you know, so
1075
00:48:55,052 --> 00:48:57,856
as I was watching that scene, I was like, so, you know,
1076
00:48:58,606 --> 00:49:01,542
was she, you know, as far as his becoming a presidential
1077
00:49:01,574 --> 00:49:04,454
candidate, I mean, was she like, you know, was she a
1078
00:49:04,510 --> 00:49:07,478
chief of staff or something in the White House or, you know, some. Some kind
1079
00:49:07,502 --> 00:49:10,352
of role? but, you know, but, you know, but
1080
00:49:10,424 --> 00:49:12,396
this just seems to be the moment where,
1081
00:49:13,906 --> 00:49:16,858
you know, like, you know, she, you know, she. She hears that speech and
1082
00:49:16,882 --> 00:49:19,514
of course she does, you know, eventually chase after the. The
1083
00:49:19,570 --> 00:49:22,176
crazy guy talking about the ant, the ice
1084
00:49:22,306 --> 00:49:23,896
caps melting and stuff.
1085
00:49:25,036 --> 00:49:27,924
>> Sarah : She chased. She. She just asked him a question about
1086
00:49:27,980 --> 00:49:30,612
what to do. To happen.
1087
00:49:30,764 --> 00:49:32,036
>> Will: Yeah. What happened?
1088
00:49:32,116 --> 00:49:34,932
>> Sarah : Yeah, yeah. What. What to do. And then that gives
1089
00:49:34,964 --> 00:49:36,196
her the idea.
1090
00:49:36,356 --> 00:49:36,820
>> Will: Yeah.
1091
00:49:36,868 --> 00:49:39,780
>> Sarah : To go more importantly,
1092
00:49:39,828 --> 00:49:42,564
he. He brought Cal, brought up Dylan, and
1093
00:49:42,620 --> 00:49:45,588
that's what she really needed to hear. But. But yeah,
1094
00:49:45,732 --> 00:49:46,468
finish.
1095
00:49:46,612 --> 00:49:49,588
>> Will: Yeah, yeah. No, I'm glad you brought that. That's where I was going to go. He did
1096
00:49:49,612 --> 00:49:52,570
bring up Dylan and get to your point about a charm. And it was just like,
1097
00:49:52,708 --> 00:49:55,566
you know, I think it just really resonated with
1098
00:49:55,606 --> 00:49:58,046
her. And that's where I was just like. Oh, I could see where they
1099
00:49:58,086 --> 00:50:01,054
become very, you know, they become confidants
1100
00:50:01,150 --> 00:50:03,596
with one another. Especially, you know,
1101
00:50:04,376 --> 00:50:07,152
as she learned, you know, whatever
1102
00:50:07,184 --> 00:50:10,144
she gets the idea to, to like,
1103
00:50:10,280 --> 00:50:13,280
build a place that, you know, that as we see at the
1104
00:50:13,288 --> 00:50:16,170
beginning of the episode with, the flashback, you know, it's the size
1105
00:50:16,202 --> 00:50:19,056
of Toledo and, and. And we
1106
00:50:19,080 --> 00:50:21,840
get the, you know, we do you know, I like the way they,
1107
00:50:21,912 --> 00:50:24,896
they showed how the pro. After we get that big reveal, we get
1108
00:50:24,920 --> 00:50:27,872
sort of a backstory as far as, like, you know, how
1109
00:50:27,928 --> 00:50:29,884
this project came. It came into being.
1110
00:50:30,834 --> 00:50:31,894
as far as.
1111
00:50:33,474 --> 00:50:36,314
>> Sarah : It's just, I'm just, I'm just saying somewhat
1112
00:50:36,394 --> 00:50:39,114
like they're, they're telling us, giving us
1113
00:50:39,154 --> 00:50:42,154
enough information to be satisfied, while at the same
1114
00:50:42,194 --> 00:50:44,986
time still there's a lot of things that
1115
00:50:45,010 --> 00:50:47,722
are cloudy and we're not. We're
1116
00:50:47,738 --> 00:50:50,426
not. This, this is not a straightforward
1117
00:50:50,490 --> 00:50:53,146
narrative, and it's not being told that way.
1118
00:50:53,330 --> 00:50:55,984
So, so we're getting pieces, right?
1119
00:50:56,344 --> 00:50:59,344
and I think they want us to color in, but at
1120
00:50:59,384 --> 00:51:01,968
this rate, I'm like, nope, I'm not coloring in yet.
1121
00:51:02,056 --> 00:51:05,056
Because I, I, I think if
1122
00:51:05,080 --> 00:51:07,984
you, if I were to color that red, I would find out three
1123
00:51:08,024 --> 00:51:10,710
episodes later I should have colored it blue. Okay, so
1124
00:51:10,782 --> 00:51:13,622
I'm, I'm like, I'm like, okay, I see what you're doing. I'm
1125
00:51:13,638 --> 00:51:16,406
gonna wait. I'm gonna hold my cards if you're gonna play them like
1126
00:51:16,430 --> 00:51:16,950
this.
1127
00:51:17,102 --> 00:51:20,016
>> Will: Yeah, true, true. Yeah. I mean, yeah, you're right. I mean, I,
1128
00:51:20,056 --> 00:51:22,864
I tried not. As I was watching it, I was like, let me. Don't get too,
1129
00:51:22,920 --> 00:51:25,920
too far far, like, you know, like, as a,
1130
00:51:25,876 --> 00:51:28,794
too far ahead here, because like I said, I was already like,
1131
00:51:28,930 --> 00:51:31,126
oh, Kyle. And,
1132
00:51:32,146 --> 00:51:34,762
and, and Sinatra's
1133
00:51:34,794 --> 00:51:37,402
relationship here, Sam's relationship. I'm like, you know,
1134
00:51:37,554 --> 00:51:40,252
I was already having them, like, be
1135
00:51:40,404 --> 00:51:43,404
working together to do. You know, clearly, I think they did, but it's
1136
00:51:43,420 --> 00:51:46,236
just like, you know, I was trying to figure out how, you know, the how
1137
00:51:46,276 --> 00:51:49,136
of it all. And I think I'm just getting, getting
1138
00:51:49,176 --> 00:51:52,048
ahead of myself and just instead of, let's let the story play out, like
1139
00:51:52,072 --> 00:51:53,968
it, like, as it's going to.
1140
00:51:54,152 --> 00:51:57,136
>> Sarah : Yeah, yeah. For a moment I thought you were going to say,
1141
00:51:57,176 --> 00:52:00,080
like, how they. I started to do fan
1142
00:52:00,128 --> 00:52:01,276
fiction about them.
1143
00:52:03,016 --> 00:52:05,456
I don't know if you should be doing about those two, because
1144
00:52:05,496 --> 00:52:08,472
apparently, like, it's very clear to us that Robinson
1145
00:52:08,504 --> 00:52:09,800
is sleeping with Cal. Right.
1146
00:52:09,888 --> 00:52:12,872
>> Will: Yeah, yeah, yeah. No, no, that, that, yeah, that was very clear.
1147
00:52:12,944 --> 00:52:15,886
And, yeah, we, yeah, there was, you know, from
1148
00:52:15,926 --> 00:52:18,926
the very end of the episode one when, you know,
1149
00:52:18,966 --> 00:52:21,668
as, as, Xavier's, like, sizzling up the, the
1150
00:52:21,692 --> 00:52:24,576
scene, and, and the, earrings
1151
00:52:24,656 --> 00:52:27,208
there in the room. and then. Yeah, yeah.
1152
00:52:27,272 --> 00:52:30,178
So. But again, they, I love how they're just
1153
00:52:30,202 --> 00:52:32,594
building this mystery. I mean, it's just like this show has so many,
1154
00:52:32,650 --> 00:52:35,602
like, you could say it's this dystopian sci
1155
00:52:35,634 --> 00:52:38,546
fi thing. It could be a. Just a straightforward, like I said,
1156
00:52:38,586 --> 00:52:41,378
a mystery procedural. I mean it has so many genres that
1157
00:52:41,402 --> 00:52:44,098
it's like blending here. It's just, it's just so, so
1158
00:52:44,122 --> 00:52:44,686
great.
1159
00:52:45,466 --> 00:52:48,324
>> Sarah : Yeah. Hopefully they don't go sci fi. I know.
1160
00:52:48,380 --> 00:52:51,348
I don't want them to go sci fi because I
1161
00:52:51,372 --> 00:52:54,354
will check out. I will check out
1162
00:52:54,500 --> 00:52:57,286
because it just reminds me of the
1163
00:52:57,326 --> 00:52:59,222
three people person problem.
1164
00:52:59,374 --> 00:53:00,186
>> Will: Yeah.
1165
00:53:00,916 --> 00:53:03,756
>> Sarah : Because I will admit my, my, my love
1166
00:53:03,796 --> 00:53:05,916
of that show dropped when I found out it was about
1167
00:53:05,956 --> 00:53:06,816
aliens.
1168
00:53:07,156 --> 00:53:10,060
>> Will: I don't think we're going. I don't think we're going Aliens. I think it's maybe
1169
00:53:10,108 --> 00:53:12,940
more like Last of Us or Fallout
1170
00:53:12,988 --> 00:53:15,532
or you know that Dystopian. Yeah. Ah, yeah.
1171
00:53:15,644 --> 00:53:18,124
>> Sarah : Fallout. Fallout. I do.
1172
00:53:18,260 --> 00:53:21,138
I. Is where my theory is. and
1173
00:53:21,162 --> 00:53:23,646
it's only because during,
1174
00:53:24,026 --> 00:53:26,962
in the first episode, during the scene between
1175
00:53:27,034 --> 00:53:29,650
Cal and Xavier the night of Cal's
1176
00:53:29,698 --> 00:53:32,530
death, he, he tells
1177
00:53:32,578 --> 00:53:35,490
him, like here he asks him, when are you going to
1178
00:53:35,498 --> 00:53:36,286
forgive me?
1179
00:53:37,596 --> 00:53:40,468
>> Sarah : And then Xavier says, I'll forgive you when you're dead.
1180
00:53:40,612 --> 00:53:43,216
And. But, but.
1181
00:53:43,676 --> 00:53:46,532
So it's hard to say
1182
00:53:46,604 --> 00:53:49,524
if it's a natural disaster, why that would be
1183
00:53:49,580 --> 00:53:50,876
Cal's fault. Fault.
1184
00:53:51,696 --> 00:53:54,632
>> Will: Unless he knows something that's part of the deep. The deep
1185
00:53:54,664 --> 00:53:55,960
secrets, you know?
1186
00:53:56,128 --> 00:53:59,000
>> Sarah : Well, the deep secrets. But it's
1187
00:53:59,048 --> 00:54:01,832
also like. Okay,
1188
00:54:01,944 --> 00:54:04,408
I, I just, I just. I. I'll have to
1189
00:54:04,432 --> 00:54:07,368
understand. I. They have to
1190
00:54:07,472 --> 00:54:10,024
make sure to back
1191
00:54:10,080 --> 00:54:12,744
up how it's actually Kyle's fault.
1192
00:54:12,840 --> 00:54:15,688
Like Cal, like I said, like we said
1193
00:54:15,712 --> 00:54:18,668
before, like he was just. How, how long
1194
00:54:18,772 --> 00:54:20,684
between that scene between him and
1195
00:54:20,740 --> 00:54:23,388
Samantha when he was just a
1196
00:54:23,412 --> 00:54:24,108
senator.
1197
00:54:24,252 --> 00:54:24,956
>> Will: Yeah.
1198
00:54:25,116 --> 00:54:27,916
>> Sarah : And becoming president. Like we don't know
1199
00:54:27,956 --> 00:54:30,700
that official timeline. So,
1200
00:54:30,868 --> 00:54:33,516
so yeah. If it's a part of the deep secret, did he
1201
00:54:33,556 --> 00:54:36,332
inherit that secret? But anyway, we,
1202
00:54:36,404 --> 00:54:39,212
we could go. That's all speculation. That's neither
1203
00:54:39,244 --> 00:54:40,856
here nor there about this.
1204
00:54:42,096 --> 00:54:43,288
>> Will: getting back to the episode.
1205
00:54:43,352 --> 00:54:45,944
>> Sarah : I think if there's anything else I want to talk
1206
00:54:46,000 --> 00:54:48,828
about in the second episode. I'm not. As
1207
00:54:48,992 --> 00:54:51,962
the second episode, as I was on the first.
1208
00:54:52,034 --> 00:54:54,724
Just because the first, it's. It was really hard
1209
00:54:54,780 --> 00:54:55,380
to.
1210
00:54:55,548 --> 00:54:58,500
>> Will: Yeah. I think the other. Yeah, well, I think the
1211
00:54:58,508 --> 00:55:01,188
other big thing. I think the second episode. Let's add a couple more
1212
00:55:01,212 --> 00:55:04,074
thoughts and then we can wrap it up. But whatever. The
1213
00:55:04,130 --> 00:55:07,002
entire Xavier's interrogation is going on
1214
00:55:07,074 --> 00:55:09,464
and of course, you know, we talked about
1215
00:55:09,520 --> 00:55:12,486
Samantha and Dr.
1216
00:55:12,436 --> 00:55:14,722
Robbie. Yeah, Robbie.
1217
00:55:15,302 --> 00:55:18,224
Robbie's. relationship. But also we
1218
00:55:18,248 --> 00:55:21,216
also Learned that Robbie, you know, was very instrumental
1219
00:55:21,264 --> 00:55:24,192
helping. You know, she did have the one session with. With Kyle,
1220
00:55:24,272 --> 00:55:26,806
with. Excuse me, with, Xavier after.
1221
00:55:27,106 --> 00:55:30,058
And, you know, and. And so when the interrogation is
1222
00:55:30,082 --> 00:55:33,082
happening and, you know, Xavier's
1223
00:55:33,114 --> 00:55:35,786
passing the lie detector test and everything, and then she, you know,
1224
00:55:35,826 --> 00:55:38,810
and clearly, things are going south of
1225
00:55:38,818 --> 00:55:41,706
Robinson. So she's like, well, let me stop this so we can go in here.
1226
00:55:41,746 --> 00:55:44,426
Let me get. You know, and. And. And then
1227
00:55:44,466 --> 00:55:47,322
she flashes his hands, like, answer
1228
00:55:47,354 --> 00:55:50,170
yes whenever the question comes up about whether or not he,
1229
00:55:50,258 --> 00:55:53,114
you know, he wanted him dead. I thought that was a very,
1230
00:55:53,170 --> 00:55:56,106
you know, again, it. It was very,
1231
00:55:56,226 --> 00:55:59,050
you know, clearly the way that things were recorded sort of
1232
00:55:59,058 --> 00:56:01,546
presented with this show was like, you know, it made it seem
1233
00:56:01,586 --> 00:56:04,580
like. And it still is. You know, Xavier's the
1234
00:56:04,588 --> 00:56:07,562
primary suspect, but, But I like,
1235
00:56:07,634 --> 00:56:10,378
you know, but her giving him the
1236
00:56:10,402 --> 00:56:12,922
assistant, and in that moment, him trusting
1237
00:56:12,954 --> 00:56:14,886
her, you know, again,
1238
00:56:15,976 --> 00:56:18,544
opens the door. You know, we'll get. I'm sure as the series
1239
00:56:18,600 --> 00:56:21,472
progresses, we'll get more information as far as why even
1240
00:56:21,544 --> 00:56:24,316
after just one session, they have this. This bond here.
1241
00:56:24,616 --> 00:56:27,568
And then the other thing is, like, the, you know,
1242
00:56:27,672 --> 00:56:30,608
the. With the cigarette that we talked about back in
1243
00:56:30,632 --> 00:56:31,200
the.
1244
00:56:31,368 --> 00:56:34,236
>> Sarah : Wait, wait, wait. Can we. I just want to talk about
1245
00:56:34,536 --> 00:56:37,296
what you just said, because I just want to put my 2
1246
00:56:37,336 --> 00:56:40,080
cents in there on that scene. I don't
1247
00:56:40,128 --> 00:56:42,592
think that scene told me a lot
1248
00:56:42,664 --> 00:56:45,276
about her trying to
1249
00:56:46,136 --> 00:56:48,944
bond or save with Xavier, because it was only one
1250
00:56:49,000 --> 00:56:51,760
session in the past. Yeah, it was more
1251
00:56:51,848 --> 00:56:54,704
about. I think it has shown me more about
1252
00:56:54,760 --> 00:56:56,836
her dynamic with Samantha
1253
00:56:57,336 --> 00:57:00,192
because she knew the man
1254
00:57:00,264 --> 00:57:02,864
like he could have. Robinson could have
1255
00:57:02,920 --> 00:57:05,680
kept asking. He, we, we,
1256
00:57:05,768 --> 00:57:08,672
we there. All the signs were there. He's trained
1257
00:57:08,784 --> 00:57:09,840
to pass this.
1258
00:57:10,008 --> 00:57:11,152
>> Will: Yeah, yeah, yeah.
1259
00:57:11,344 --> 00:57:14,016
>> Sarah : Like, he knows what to do. This
1260
00:57:14,056 --> 00:57:16,944
isn't gonna go anywhere and nobody's
1261
00:57:16,960 --> 00:57:19,856
gonna believe it. So. So she figured out
1262
00:57:19,896 --> 00:57:22,448
the only way to end this would be for him to
1263
00:57:22,472 --> 00:57:24,816
tell arguably the. The
1264
00:57:24,856 --> 00:57:27,436
truth and answer this question.
1265
00:57:28,216 --> 00:57:30,992
So then. And that's why you have that scene later where
1266
00:57:31,064 --> 00:57:33,808
she says, well, if. If
1267
00:57:33,832 --> 00:57:36,576
he's such a good liar, why would
1268
00:57:36,616 --> 00:57:39,424
he admit that he despised
1269
00:57:39,600 --> 00:57:42,496
Cow? Like, why wouldn't he just lie about
1270
00:57:42,536 --> 00:57:44,876
that as well? So she.
1271
00:57:45,656 --> 00:57:48,368
She knew he needed to know,
1272
00:57:48,472 --> 00:57:51,224
like, how to respond to that,
1273
00:57:51,360 --> 00:57:53,636
because he would have. He would have said no.
1274
00:57:54,016 --> 00:57:56,856
Which. And Sam, Samantha wouldn't have been convinced.
1275
00:57:56,936 --> 00:57:59,096
And I still don't think she fully is.
1276
00:57:59,216 --> 00:57:59,896
>> Will: No, no.
1277
00:57:59,896 --> 00:58:02,414
>> Sarah : and not in the least, but it at least
1278
00:58:02,550 --> 00:58:05,282
ended that and kind of just put him, on the Bench.
1279
00:58:06,132 --> 00:58:08,312
but. But it's also like,
1280
00:58:09,012 --> 00:58:11,548
I don't know how much really, if
1281
00:58:11,620 --> 00:58:14,428
Samantha's to blame either. Like, we.
1282
00:58:14,500 --> 00:58:16,892
We don't know, who.
1283
00:58:17,352 --> 00:58:20,336
There isn't some. It isn't very obvious at
1284
00:58:20,344 --> 00:58:22,576
this point who is behind the murder.
1285
00:58:22,704 --> 00:58:25,440
>> Will: It's not. It's not at all.
1286
00:58:25,576 --> 00:58:28,294
No, it. Yeah, it's not at all. But, but
1287
00:58:28,318 --> 00:58:31,160
also, Yeah,
1288
00:58:31,176 --> 00:58:34,168
but, you know, but I think to your point about it showing Samantha's
1289
00:58:34,200 --> 00:58:37,080
relationship and also just overall with this whole. This whole
1290
00:58:37,096 --> 00:58:40,056
episode, especially seeing how she. Even though Kyle
1291
00:58:40,104 --> 00:58:42,374
was the president of this, of this. Of
1292
00:58:42,398 --> 00:58:45,194
paradise, you know,
1293
00:58:45,218 --> 00:58:48,106
she was clearly some of the. You know, she was the.
1294
00:58:48,194 --> 00:58:51,194
The engine that was sort of driving this thing. Especially when you see
1295
00:58:51,218 --> 00:58:53,898
her interactions with the. With the rest of the.
1296
00:58:54,050 --> 00:58:57,034
The right. Board of directors or whatever you
1297
00:58:57,058 --> 00:58:59,142
want to call them, who. Who were the
1298
00:59:00,162 --> 00:59:01,692
leaders, of the. Of the
1299
00:59:02,872 --> 00:59:04,592
council or whatever, you know, for.
1300
00:59:04,632 --> 00:59:05,212
>> Sarah : For.
1301
00:59:06,472 --> 00:59:08,184
>> Will: Yeah. Yeah. So. Yeah.
1302
00:59:08,288 --> 00:59:10,184
>> Sarah : And you brought up the cigarettes.
1303
00:59:10,328 --> 00:59:12,824
>> Will: Yeah, yeah. Just how. Just to bookend that from our
1304
00:59:12,848 --> 00:59:15,412
conversation from about episode one,
1305
00:59:15,902 --> 00:59:18,696
with the, With what? Whenever they have the town hall
1306
00:59:18,744 --> 00:59:21,512
and. And Kyle's son, you know, Xavier's,
1307
00:59:21,766 --> 00:59:24,722
daughter, go to the aircraft hangar and
1308
00:59:25,262 --> 00:59:28,214
whenever, you know, and they juxtapose the
1309
00:59:28,238 --> 00:59:29,682
scenes of. Of
1310
00:59:30,702 --> 00:59:33,558
Xavier, you know, lighting a cigarette and flashing
1311
00:59:33,590 --> 00:59:36,512
a number. And then they also they show the, the.
1312
00:59:36,552 --> 00:59:38,752
The flight. The plane registry number.
1313
00:59:38,872 --> 00:59:39,536
>> Sarah : Yep.
1314
00:59:39,664 --> 00:59:42,582
>> Will: And, also like. Ah, okay. And. And I think.
1315
00:59:42,622 --> 00:59:45,414
Was it. Was it. And I know you corrected me
1316
00:59:45,438 --> 00:59:48,374
earlier about this. Was the episode where we did get a
1317
00:59:48,398 --> 00:59:50,882
flash of the.
1318
00:59:52,782 --> 00:59:55,332
I took it as Kyle's wife. Not. Not Kyle,
1319
00:59:55,282 --> 00:59:56,226
Xavier's wife.
1320
00:59:56,322 --> 00:59:57,618
>> Sarah : Yeah, you're right. You're right.
1321
00:59:57,658 --> 01:00:00,180
>> Will: Yeah. and, you know, so, you
1322
01:00:00,204 --> 01:00:03,184
know, and tied everything
1323
01:00:03,256 --> 01:00:06,240
together. You know, was she on that plane? You know, was this. Was
1324
01:00:06,264 --> 01:00:08,986
this. Was this a, You know, was this a playing code? Was this, you
1325
01:00:08,994 --> 01:00:11,462
know, was she, like, going to another
1326
01:00:13,282 --> 01:00:16,186
paradise or, you know, another bunker or somewhere? I
1327
01:00:16,194 --> 01:00:18,810
mean, because there's. It seems like there.
1328
01:00:18,866 --> 01:00:21,834
There may be some of those things out. Other. Other cities
1329
01:00:21,898 --> 01:00:24,522
maybe out under. Underground cities out there.
1330
01:00:24,642 --> 01:00:27,604
>> Sarah : Yeah, well, it's just like. Okay,
1331
01:00:27,668 --> 01:00:29,512
so in this episode, we learn.
1332
01:00:30,492 --> 01:00:33,108
We. We learn it's a. It's a
1333
01:00:33,260 --> 01:00:35,396
city that seemingly holds
1334
01:00:35,444 --> 01:00:38,228
25,000 people. We don't
1335
01:00:38,260 --> 01:00:41,204
know how many, like, if there are
1336
01:00:41,228 --> 01:00:44,020
other cities built or anything. We just know about
1337
01:00:44,076 --> 01:00:46,980
Paradise. Considering there's going to be a second
1338
01:00:47,036 --> 01:00:49,032
season, I kind of am suspicious.
1339
01:00:49,772 --> 01:00:52,352
I'm also like. I'm also like,
1340
01:00:52,662 --> 01:00:55,076
man, they just let
1341
01:00:55,164 --> 01:00:57,876
Xavier and his kids Go to paradise
1342
01:00:57,924 --> 01:01:00,676
and Billy. Like, like
1343
01:01:00,764 --> 01:01:03,332
what? For 25. I don't know.
1344
01:01:03,372 --> 01:01:06,164
There's. It's very weird. So I get what
1345
01:01:06,188 --> 01:01:07,872
you're saying about that.
1346
01:01:09,052 --> 01:01:11,812
and, and I, and I agree, it, it
1347
01:01:11,852 --> 01:01:14,724
has something to do with an airplane or
1348
01:01:14,748 --> 01:01:17,716
else they wouldn't have held on that shot of the registry
1349
01:01:17,764 --> 01:01:18,656
for so long.
1350
01:01:18,764 --> 01:01:19,192
>> Will: Yeah.
1351
01:01:19,272 --> 01:01:22,172
>> Sarah : But, but it, yeah. And,
1352
01:01:22,292 --> 01:01:25,196
and the wife mystery until
1353
01:01:25,284 --> 01:01:26,472
we see a body.
1354
01:01:26,852 --> 01:01:27,712
>> Will: Yep.
1355
01:01:31,252 --> 01:01:33,996
>> Sarah : I'm not gonna lie. Pardon me. Spent the first episode
1356
01:01:34,044 --> 01:01:36,872
being like, I wonder if Xavier's wife killed him.
1357
01:01:40,452 --> 01:01:41,592
I don't know.
1358
01:01:43,892 --> 01:01:46,668
It'll be, it'll be very interesting. I mean, we've
1359
01:01:46,700 --> 01:01:49,474
gone through two episodes, have yet to fully
1360
01:01:49,538 --> 01:01:52,194
see, see Flesh and blood.
1361
01:01:52,338 --> 01:01:54,866
Who. Xavier's wife is like
1362
01:01:54,954 --> 01:01:57,682
that there. The
1363
01:01:57,722 --> 01:02:00,622
significance is there. And we got, we got
1364
01:02:01,082 --> 01:02:03,810
six, ah, more episodes. We're gonna talk about
1365
01:02:03,866 --> 01:02:06,722
episodes three and four next week and then we're gonna go
1366
01:02:06,762 --> 01:02:09,602
on to a week by week basis with this
1367
01:02:09,642 --> 01:02:12,586
show. we probably
1368
01:02:12,634 --> 01:02:15,530
missed a ton. I still, I,
1369
01:02:15,586 --> 01:02:17,754
I'm looking forward to the whole
1370
01:02:17,818 --> 01:02:20,784
Xavier and Billy bromance
1371
01:02:20,928 --> 01:02:23,664
starting and how that's going to be different
1372
01:02:23,768 --> 01:02:26,510
from the Cal and Xavier
1373
01:02:26,606 --> 01:02:29,230
bromance because the Cal and Xavier one,
1374
01:02:29,286 --> 01:02:32,258
man, that's like, fighting
1375
01:02:32,290 --> 01:02:33,842
with your ex wife or something.
1376
01:02:33,962 --> 01:02:34,662
>> Will: Yeah.
1377
01:02:36,762 --> 01:02:39,704
>> Sarah : Because even at the end after talking to the
1378
01:02:39,728 --> 01:02:42,600
first lady about. And basically about how much
1379
01:02:42,656 --> 01:02:45,332
of a racist Cal is, I.
1380
01:02:45,792 --> 01:02:48,312
He still stands there and is with Billy and is
1381
01:02:48,352 --> 01:02:51,252
like, she's standing there
1382
01:02:51,552 --> 01:02:53,880
and she's. He's referring to Samantha
1383
01:02:53,896 --> 01:02:56,760
Redmond. And. And I'm watching her and I'm
1384
01:02:56,776 --> 01:02:59,448
listening to her and our man is
1385
01:02:59,520 --> 01:03:02,408
gone. Like it was such a bro moment.
1386
01:03:02,520 --> 01:03:05,418
>> Will: It was, it was total. Yeah. He's like, I'm
1387
01:03:05,450 --> 01:03:08,410
a tick. And it's like I'm a, you know, I'm a
1388
01:03:08,546 --> 01:03:09,242
take her down.
1389
01:03:09,282 --> 01:03:11,290
>> Sarah : And he was, yeah, I'm gonna take her down.
1390
01:03:11,426 --> 01:03:14,234
>> Will: Yeah. And carefully. Yeah. How you gonna do that,
1391
01:03:14,258 --> 01:03:17,114
Will Polk? How are you gonna do that, boss? Carefully. I was just like,
1392
01:03:17,218 --> 01:03:20,154
oh, yeah. Oh yeah. And I think Vogue Women did
1393
01:03:20,178 --> 01:03:22,960
say that this, series. I think he has a three season plan
1394
01:03:23,016 --> 01:03:24,492
for the show. So.
1395
01:03:24,792 --> 01:03:27,712
>> Sarah : Yeah, yeah, he
1396
01:03:27,752 --> 01:03:30,640
can't go. All right, well, on that note, Will, why don't
1397
01:03:30,656 --> 01:03:32,808
you tell our listeners where they can find you?
1398
01:03:32,920 --> 01:03:35,766
>> Will: Yes, you can find me at, willmpolk
1399
01:03:35,814 --> 01:03:38,504
on all the socials at, W I L L M P O.
1400
01:03:38,528 --> 01:03:40,872
>> Sarah : L K. Please follow our crew on
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01:03:40,912 --> 01:03:43,608
Twitter Formerly or X
1402
01:03:43,680 --> 01:03:46,664
formerly known as Twitter @Cena Nerd. Also, you can
1403
01:03:46,688 --> 01:03:49,624
find me there too at SJ Belmont. SJBLM M O
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01:03:49,648 --> 01:03:52,506
N t Please follow us on Blue sky at Scene N
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01:03:58,498 --> 01:03:59,250
visit Visit our website
1408
01:03:59,306 --> 01:04:01,954
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1409
01:04:01,978 --> 01:04:04,674
importantly, rate following comment on Apple Podcast, Spotify,
1410
01:04:04,738 --> 01:04:07,442
YouTube, or wherever you get your podcast. Good night. Geek out. You're welcome.